Amer Matar
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ISIS Prisons Museum

2017 — Ongoing · Public launch: 11 October 2024

This was the first body of work in which the method took shape: beginning with the search for missing people and expanding into an investigation of how detention functioned as part of an entire system of rule.

ISIS Prisons Museum
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Question and approach

The work began in 2017 while we were searching for colleagues abducted by ISIS in 2013. Many detention sites had no official prison architecture: they were houses, public buildings and other ordinary structures whose previous use could disappear quickly from view. Former detainees and local memory were therefore essential to locating sites and understanding how rooms, routes and functions had changed.

The archive grew by bringing different traces together: more than 70,000 ISIS records, hundreds of filmed survivor interviews, objects, drone documentation of mass graves, more than 1,000 photographs of writing on prison walls and extensive 3D documentation. No single layer is treated as sufficient on its own.

The digital museum is a way of keeping those relationships visible. A visitor can move through a reconstructed site while reading the records, testimony and chronology connected to it. The aim is not to recreate the experience of imprisonment, but to preserve a spatial and evidentiary record that can continue to be questioned.

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Role in the work

FounderDirector

Matar initiated this work and leads its investigative and editorial direction. Field documentation, interviews, archival processing, research and digital reconstruction are carried out collectively by specialised teams and in dialogue with survivors and local knowledge.

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Visual archive

Detention sites and reconstructions

3D reconstruction of an ISIS detention site.
3D reconstruction of an ISIS detention site.
Ahdath Prison investigation: architecture, reconstruction and witness material.
Ahdath Prison investigation: architecture, reconstruction and witness material.

Three Walls — UNESCO Paris

Three Walls: Spatial Narratives of Old Mosul — exhibition brochure, UNESCO Headquarters, Paris.
Three Walls: Spatial Narratives of Old Mosul — exhibition brochure, UNESCO Headquarters, Paris.
The exhibition presented the Meydan House and Syriac Church through reconstructions, VR and testimony.
The exhibition presented the Meydan House and Syriac Church through reconstructions, VR and testimony.
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How the detention system is read

Unofficial placesMany detention sites occupied houses and public buildings. Local memory and former detainees are therefore essential to identifying sites and reconstructing their changing use.
Administrative recordsInternal records are read not only for names and dates but for the procedures, offices, categories and chains through which detention became routine governance.
Testimony and placeAccounts are returned to the rooms, routes and spatial relations they describe, and then tested against other testimony, imagery and records.
Detention and disappearanceWhere evidence allows, prison records and testimony are connected to transfers, killings and mass-grave documentation rather than treating each site as an isolated story.
A changing siteThe same building can have different functions over time. Reconstruction therefore preserves chronology as well as geometry.
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Materials and outputs

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Recent related material

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In the press